同行/历史参考文献的再创作 | Sarah Rapson

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——Sarah Rapson

The Second Show, 2023, exhibition view, Maxwell Graham, Essex Street, New York

Ode To Psyche, 2022, exhibition view, Secession, Vienna

Tiny Trip, 2021, exhibition view, Modern Art, London

Rapson的作品反映了她对于社会和政治问题的深刻关注和反思。她的作品常常通过艺术来引起人们对于重要问题的关注，尝试让人们以不同的方式思考人类与自然之间关系的问题。

她的工作方法之一是通过收集的艺术历史参考文献进行编辑，这种方法一直在工作和返工、制作和破坏、创造和取消文献本身的含义。例如，将1960年代概念艺术展览的照片复制粘贴到画布上，或者将一幅17世纪的风景画重新框定为2011年的作品。虽然Rapson对现有材料进行了注释，但她自己的作品也经历了类似的处理：一张剪报似乎被放置在一幅画的表面上，只是被移动到另一幅画上，卡住了打开和关闭，并重新定位在自己身上；电影中的帧在后来的电影中变成了它们自己的变体。

Camille Claudel in the French, 2021 oil paint on linen installed: 39.5 x 73 cm (15 1/2 x 27 1/8 ins)

3 standing vitrines, 2021 Printed matter, transcripts and ink on paper, vitrine Dimensions variable

Jasper, 2021 Dirt on linen and wood stretcher, nail 9 ½ × 5 ⅞ × ¾ inches (24.13 × 14.92 × 1.91 cm)

Love is everywhere (a British artist), 2021 Printed matter, ink, and canvas over oil paint, printed matter 6 ¼ × 12 ¼ × 2 ⅛ inches (15.88 × 31.12 × 5.40 cm), 5 ⅜ × 5 ⅜ inches (13.65 × 13.65 cm)

Love is everywhere (a British artist), 2021 Detail

在近几年的实践中，Rapson放弃了之前展出作品的焦油表面和神秘铭文，转而使用柔和的白色调。她的作品中融入了一种宁静，柔和的表面、微妙的细节和适度的纪念性反复强调了这一点。这种转变可能反映了Rapson对于艺术的态度的变化，也可能反映了她对于社会和环境问题的新的关注点。她的作品中的宁静和柔和，让人不禁想起纸张、牛奶、酸奶、床单和瓷器，这些平凡的物品中蕴含了生活的温暖和安宁。通过这种方式，Rapson的作品更加注重表达人类与自然之间的和谐与平衡。

Love is everywhere (Monet / London Trip), 2021 Printed matter, ink, tape, plexiglas 8 ¼ × 11 ⅝ × ½ inches (20.96 × 29.53 × 1.27 cm)

Lyre, 2021 Oil paint printed matter, ink and tape on hessian 53 ⅛ × 28 ⅜ × 1 ⅝ inches (134.94 × 72.07 × 4.13 cm)

Lyre, 2021 Detail

Oracle stick, 2021 Printed matter and tape on wood 54 ⅜ × 3 ⅞ × 3 ⅞ inches (138.11 × 9.84 × 9.84 cm)

Performance Tent\Performance Tent, 2021 Printed matter, ink and tape 7 ¼ × 4 ⅜ inches (18.42 × 11.11 cm)

Trip, 2021, Oil paint, printed matter and tape on canvas, paint over stained canvas, oil paint on linen, nails, 12 ¼ × 7 ¼ × 1 inches (31.12 × 18.42 × 2.54 cm), 12 ⅝ × 7 ⅞ × 1 ⅛ inches (32.07 × 20.00 × 2.86 cm), 15 ¾ × 6 ¾ × 1 inches (40.01 × 17.15 × 2.54 cm)

Vienna shit (diptych), 2021 Oil paint and paper on linen, oil paint and paper on linen 12 ⅝ × 10 ¼ × 1 ⅛ inches (32.07 × 26.04 × 2.86 cm), 8 ⅝ × 8 ⅛ × 1 ⅛ inches (21.91 × 20.64 × 2.86 cm)

Vienna triptych, 2021 Linen on canvas, oil paint on canvas, oil paint on canvas 57 ⅞ × 4 ¾ inches (147.00 × 12.07 cm), 52 ⅜ × 5 ½ inches (133.03 × 13.97 cm), 50 ⅜ × 5 ⅜ inches (127.95 × 13.65 cm)

Visitor guide vitrine, 2021 Ink on paper, tape, gallery business card, plexiglas 11 ¾ × 8 ½ × 1 ¾ inches (29.85 × 21.59 × 4.45 cm)

Visitor guide vitrine, 2021 Detail

Untitled painting, 2020 Oil paint on stained linen 10 ¼ × 10 ⅝ × 1 ⅛ inches (26.04 × 26.99 × 2.86 cm)

Classical Landscape, 2011 oil paint, printed matter with tape on stretched canvas 8 × 11 ¾ inches (20.32 × 29.85 cm)

Christies/680 GBP, 2011 Kandahar ink on newspaper 10 ½ × 14 inches (26.67 × 35.56 cm) 17 ⅝ × 20 ⅞ inches (44.77 × 53.02 cm) (framed)

One Thing I like about Zen, 2008 Newspaper over painted stretched canvas 8 ¼ × 8 ¼ inches (20.96 × 20.96 cm)

romantic art forum, 2007 Oil paint and plaster over printed matter 11 ¾ × 7 ⅞ × 1 ⅛ inches (29.85 × 20.00 × 2.86 cm), stuck on earth – bloccato sulla terra, 2021 Earth pigment on linen 8 ¼ × 7 ⅛ × 1 inches (20.96 × 18.10 × 2.54 cm)

Cathcart Hill, 2000, super 8 transferred to DVD, silent, 7:25 min (excerpt)

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