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【新世纪】新展预告｜仇晓飞 Part Ⅱ

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艺术家个案研究展：仇晓飞

PartⅠ 赤

2020.9.12-10.21

Part Ⅱ 托洛茨基基长成了一棵树

2020.10.31-2021.1.9

Part Ⅱ 开幕 10.31 15:00

艺术总监：楠楠策划：常旭阳空间设计：梁琛

【新世纪】新展预告｜仇晓飞 Part Ⅱ 仇晓飞 Part 新世纪新展艺术家个案研究展托洛茨基基艺术总监崇真艺客

开放时间：周二-周六 11：00-17：00

地址：新世纪当代艺术基金会📍新世纪

北京朝阳区798艺术区797东街A05

在此次新世纪当代艺术基金会策划的艺术家仇晓飞个案研究展中，我们使用了两种截然不同的展览结构和叙述方式，在为时四个月的展期内呈现艺术家在过去近二十年的绘画道路上如何以一种螺旋式的轨迹反复探索、追寻绘画的意义。

👉 点击回顾第一期 PartⅠ 赤

仇晓飞｜Qiu Xiaofei

《托洛茨基基树》｜Trotskyky tree

纸上水彩、墨与铅笔｜watercolor on paper, ink and pencil

36×51cm

2019

图片由艺术家提供｜Courtesy of the artist

《托洛茨基基长成了一棵树》是第二个阶段的展览题目，也是仇晓飞近作小画的标题，这个引人迷惑的题目，暗含了丰富的潜台词。在这幅画中，人、树、物以一种生物性的状态胶着在一起，这种含混相连的家族关系也暗示了此次展览的结构线索。多组作品来自艺术家创作的不同时期，以非线性的混合相连的方式呈现，试图揭示出艺术家创作道路上包含了前行和回望的不断超越自我的工作。树的长成需要十余二十年，而这个时间正好契合了此次展览中呈现的仇晓飞的创作之路。一个政治符号如何具有了日常性和生长性，暗示了艺术家从图像到语言的多维度的转变与探索。

仇晓飞｜Qiu Xiaofei

《无题（盆栽）》｜untitiled (potted plant)

布面油画｜oil on canvas

50×60cm

2020

图片由艺术家提供｜Courtesy of the artist

仇晓飞

1977年出生于黑龙江哈尔滨，1998年毕业于中央美术学院附中，2002年毕业于中央美术学院油画系。仇晓飞的创作媒介主要是绘画，也包括和绘画有关的装置和雕塑，以独特的方式将观念与形式连接。仇晓飞的作品在国内外多个重要美术馆及机构展出，如上海民生现代美术馆、尤伦斯当代艺术中心、英国泰特利物浦美术馆、瑞士伯尔尼美术博物馆、荷兰格罗宁根博物馆、德国ZKM美术馆等。重要个展包括“渐隐”（2018 ，韩国首尔佩斯画廊）；“双摆”（2016，美国纽约佩斯画廊）；“南柯解酲”（2014，佩斯北京）；“反复”（2013，上海民生美术馆）；“登楼已去梯”（2010，北京博而励画廊）；“黑龙江盒”（2006，中央美术学院美术馆）。

An artist’s case-study exhibition

Qiu Xiaofei

Part Ⅰ: RED

2020.9.12-10.21

Part Ⅱ: Trotskyky grew into a tree

2020.10.31- 2021.1.9

Opening 10.31 15:00

Director: Nan Nan

Curator: Chang Xuyang

Exhibition Design: Liang Chen

Opening Hours: Tue.-Sat. 11:00-17:00

Add: No. A05, 797 East Road, 798 Art Zone, Chaoyang District, Beijing

For Qiu Xiaofei's case-study exhibition that will be on view for four months, we adopted two entirely different exhibition structures and narratives in presenting the artist's painting from the last two decades and the ways in which he explores the medium and meaning of painting through a spiral path.

Trotskyky Grew into a Tree serves as both the title of the second part of this exhibition and Qiu Xiaofei's recent work, and its intrigue embodies rich unwritten sub-texts. In this painting, the figure, trees, objects blend together as living beings. These vaguely connected lineages underscore the structure of this exhibition. Several groups of artworks are selected from various phases of the artist’s practice, presented in a mixed and non-linear fashion, to demonstrate the progression and retrospection of the artist’s creative path by which it evolves. A tree's gestation takes a dozen years to two decades, and a time frame matches Qiu Xiaofei's artistic career thus far. The way in which a political icon embodies qualities of the quotidian and growth underscores the artist's transformation and exploration of multiple dimensions, from imagery to the language of painting.

Qiu Xiaofei

Qiu Xiaofei was born in Haerbin in 1977. He graduated from the Subsidiary School of the Central Academy of Fine Arts in 1998 and received a BFA in oil painting from the Central Academy of Fine Arts in 2002.

Qiu Xiaofei’s artistic practice mainly focuses on painting, as well as installation and sculpture connected to painting, connecting concepts and aesthetics in unique ways.

His works have been a constant presence at art museum and institutional exhibitions around the world, including at the Shanghai Minsheng Art Museum, Ullens Center for Contemporary Art, Tate Liverpool in Britain, Kunstmuseum Bern in Switzerland, the Groninger Museum and the Museum Boijmans Van Beuningen in the Netherlands, the ZKM Center for Art and Media Karlsruhe in Germany.

His important Solo Exhibitions: 2018 “Fade Out” at Pace Gallery in South Korea; 2016 “Double Pendulum”at Pace Gallery, New York, USA; 2014 “Apollo Bangs Dionysus” at Pace Beijing, Beijing, China; 2013 “Repetition” at Minsheng Art Museum, Shanghai, China; 2010 “Point of No Return” at Boers-Li gallery, Beijing, China; 2006 “Heilongjiang Box” at Art Museum of Central Academy of Fine Arts, Beijing, China, etc.