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找个时间来“放空”

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艺术家周末个展 “放空” 展览开幕日现场视频 @ 工作室画廊_画廊空间

Opening day of artist Zhou Mo's solo exhibition “ Space Out ” @Studio Gallery_Gallery Space

展览主题《放空》是对人状态的一种描述。放空的状态时常出现在人的日常生活中，但极其难以被描述和经验化。

我们只能尝试性地去描述这种状态为人瞬间的出神，放弃自我，进入与自然融为一体的感受之中。放空的状态下，人的行为往往具有真正意义上的创造性。因为人最大程度的融合了自然的信息，协调了个体意识，把自己也作为信息的一部分，参与在了整个状态的进程之中。

这样的状态又难以被经验化。因为当你借助经验，想要重复这样的状态时，往往是主体意识最强大的时刻。这样的悖论也正好说明了人放空时的状态是一种可贵，且具有难度的时刻。

艺术家周末的作品最大程度地为我们呈现了那样的状态。自制的垃圾袋气球被悬挂成一排。它具有邀请你互动的特质。即便你不参与，轻飘飘作为一个主体也被创造了出来，存在在那里。橡皮泥被缓缓地按压进网格中。压力，一种存粹物理的现象被提示出来。人需要把自己调整到只是一个工具，才能去完成这样的物理现象。当我们看到这个结果，看到的却是整理个被挤压的过程。类似的作品还有很多，比如自己亲手刺绣完成的结婚照；把自己的头像与电影的场景拼贴在一起；把山羊玩偶装进一个大小一致的音响包装盒里。在描述这些作品时，我们尽可能的从动作的描述进入每一件作品。因为每一个动作背后都是人状态的体现。

为什么说人放空的状态如此重要？特别是在当下每一个人都极力地强化自我的主张；用逻辑，理论作为工作的核心；“大声”说话的时候。周末的工作向我们呈现了完全不同的存在。聆听自然；清空自己，用感受去面对生活；一个人“自言自语”的状态。这就是我们为什么如此兴奋地为大家呈现这么一场展览的原因。

工作室画廊

2019年04月23日

The exhibition theme: Space Out, is a description of the status of mankind. The feeling of “Spacing out” appears often in daily life, but actually really hard to be defined and also hard to find a certain trail to repeat.

What we can do here is to try to describe this condition as an instantaneous distraction, giving up the ego, getting into the sense of blending with nature. Under this condition, human acts could always come with real creativities. because the individuals blend with the information of nature to the greatest extent so that the individual consciousness could get harmonized then becomes part of the information and takes part in the whole process of this condition.

It is really difficult to get the trail of getting into such a condition. Your subject consciousness will be in a most powerful status at the moment when you actually want to go with the old experience, try to repeat it again. Such a paradox precisely proves that the “spacing out” moment is a golden time, yet difficult to reach.

The works of Zhou Mo present us that specific condition to the greatest extent. The self-made trash bag balloons are hung in a row. This object has the trait of inviting the spectators to interact. Even though they don’t, “Jiggle Jiggle” is also created as a subjective object, exists right over there. The plasticine was pushed tenderly through the grids. Pressure, a pure physical phenomenon is noticed. Us human should now adjust ourselves to be a simple tool so that we could finish such a phenomenon. When we see the result, we see the whole process of the pushing. There are more similar works, the self-made inwrought wedding picture; the combination of selfie and movie screenshot; putting a goat toy inside of a perfect sized box of a speaker. We try out best to describe every work with the angle of motions, because behind every motion, is the reflection of human status.

Why we say the condition of “spacing out” is really important, especially nowadays, when everyone is vehemently strengthening the self-assertion; using logic, theories as the core of work; speaking out “loudly”. Zhou Mo’s works present us the total different existence: listening to nature, emptying ourselves and facing the real life with feelings; the whole condition of thinking aloud. That is why we are so excited to present such an exhibition.

STUDIO GALLERY

23.04.2019