Please scroll down for English.
日期:
2019.05.04(周六)
时间:
11:00 – 16:30
导师:
艾瑞克·佘普卡 (Erik Zepka)
蒂亚瑞·瑞布 (Tiare Ribeaux) 、雅思名·杰登 (Yasmin Jaidin)远程协助
地点:
新时线媒体艺术中心(上海市普陀区莫干山路50号18号楼)
语言:
英语
活动票价
普通票 250元
CAC会员 150元
学生票 145元
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关于工作坊
生物科技是历史上最古老也是最普遍传播的技术。人类是一个普遍使用技术的动物,擅于从自己独特的生物圈中寻找资源并将其利用,把原本生存的容器改造成帮助我们进一步塑造的工具。近期,分子生物学为这种传统增加了另一层含义,使我们能够对历史进行推测,并将未来投射在文化连续性的共识中。
特别嘉宾蒂亚瑞·瑞布(Tiare Ribeaux)和雅思明·杰登(Yasmin Jaidin) 将为观众展示复杂而巧妙的生物素材创作过程。跟随着其中的灵感,艾瑞克·佘普卡(Erik Zepka)会进一步教导将活组织变成可塑性、可使用的材料背后的生物化学原理。在正确的科学知识指导下,该工作坊使用的生物素材没有限制,所以我们鼓励参加者自行带来有机垃圾、食物或者自己感兴趣的生物品。
我们鼓励每位参与者最后创作出的艺术作品,不仅包含着批判性的美学构思,且伴随着原素材的科学特质。只要想的到就能创造!
By Tiare Ribeaux
image by Carl Burton
11:00 – 12:00
头脑风暴和主题思想
生物艺术,从恋物到社会素材
从扩展的角度讲创造
艺术案例分享
12:00 – 12:45
人类素材的科学原理
聚合物化学和日常饮食中要充足摄取的糖分
肉、蛋白质和礼物经济
生物学家的工具箱:亲密度与新陈代谢
午休
13:30 – 14:45
技术展示和烹饪物质学
人类科学原理运用DIY实验室
细胞的极端性和人性化现实主义
从碳转变成肉的过程
14:45 – 16:00
实践技术和构想作品
科学和艺术的论述
概念呈现、组装与制作
时尚和代谢中的普遍性
16:00 – 16:30
作品展示和讨论
关于导师
艾瑞克·佘普卡(Erik Zepka)是一位主张扩大经验研究范例的观念媒体艺术家,策展人和科学家。艾瑞克通过教育、出版和展览的模式探讨了可以使我们获得的知识更稳固,更具有实验性。作为一名艺术家,他的作品曾展出于世界各地,包括韩国首尔的那比艺术中心,瑞典于默奥Humlab艺术学院,英国伦敦泰特现代美术馆,美国纽约CultureHub艺术机构和德国雷根斯堡的IT Inkubator。作为一名科学家,他的研究领域贯穿免疫学、病理学以及环境健康学、化学。他协助创建了XOX实验室和开放科学网络。他至今已在美国与亚洲超过二十个国家内开展科学研究。
蒂亚瑞·瑞布(Tiare Ribeaux)工作生活于湾区,是一位新媒体和跨学科的夏威夷裔美国艺术家、电影制作人和策展人。她是B4BEL4B画廊的创始人和艺术总监,是REFRESH艺术、科学和技术的联合创始人;并领导 “反文化艺术实验室” 艺术科学课程。作为一名跨领域艺术家,她的作品探索了人类技术、生物学、基础建设与神话、环境、微生物/非人类物种的纠缠。她关注生命系统、深/暗/媒体生态、根茎网络、景观未来、多物种本体论以及协同纠缠(collaborative entanglements)。
雅思明·杰登(Yasmin Jaidin)是一位文莱当代艺术家,任教于Maktab Duli第六形态中心(Sixth Form Centre)。她的实践围绕材料性展开,关注日常的媒介,如糖、面粉、草和泥土。她对物体的物理状态进行实验并关注当这件物品从一个环境重置入另一个环境时的生态学。雅思明毕业于金匠大学和伦敦艺术大学(Goldsmiths University of London and the University of 调the Arts London)。她的作品曾展出于Laforet美术馆(东京)、Off Mordern(伦敦)、马尼拉大都会博物馆以及高雄市立美术馆。她的作品展示出对其所选材料的钟爱,将极简主义和过程与物为导向的创作实践结合。
CAC Atelier 09 | Make Art Out of Your Friends: Biotechnology in a Cooperative Society
Date:
04.05.2019 (Saturday)
Time:
11am – 4:30pm
Facilitator:
Erik Zepka, online assisted by Tiare Ribeaux and Yasmin Jaidin
Venue:
Chronus Art Center (No.18, No.50 Mo Gan Shan Rd, Shanghai)
Language:
English
Admission Fee
Workshop 250 RMB
CAC Membership 150 RMB
Student 145 RMB
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*Only 10 seats available.
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The oldest and most common historical technology is biotechnology. Sourcing materials from their own biospheric niches, humans are a pervasively technical animal, turning the vehicles we live in into the instruments with which we carve them out. Molecular biology has most recently added another layer to this legacy, making speculation of history. Futures are mapped in the commons of cultural continuity.
Special guests Tiare Ribeaux and Yasmin Jaidin will join us to showcase the level of sophistication that is possible in biomaterial creation. Taking this inspiration, Erik Zepka will lead the group through the biochemical principles behind turning living tissues into malleable and usable materials you can build and imagine with. With the right science there is no real limit to what organisms you start with, so users will be encouraged to bring their own waste or any food or biological thing they have or are interested in.
The workshop will culminate in each participant producing a work of art original not only in its critical aesthetic conception but in the very scientific properties of its materials. Creation becomes in the context of the artist creator.
image by Carl Burton
11:00 - 12:00
Ideation and Theme
Bio Art from Fetish to Social Material
Creation in an Expanded Sense
Examples of Projects
12:00 - 12:45
Scientific Principles of Human Materials
Polymer Chemistry and Getting Enough Sugar in Your Diet
Meat, Proteins and The Gift Economy
The Open Biologist's Toolkit: Intimacy and Metabolism
Break
13:30 - 14:45
Technical Demonstrations and Culinary Materialism
Applied Anthropic Science Principles in a DIY Lab
The Extremities of the Cell as Convivial Realism
The Transformation of Carbon Through Flesh
14:45 - 16:30
Applying Techniques and Conceiving of a Project
The Discourse of Science and Art
Abstraction, Framing and Invention
Ubiquities Through Fashion and Metabolism
16:00-16:30
Final Discussions and Presentations
About Workshop Leader
Erik Zepka is a conceptual media artist, curator, scientist and theorist interested in opening paradigms of empirical and interdisciplinary research. Through education, publication and exhibition he explores methods by which our knowledge can be made more robust and experimental. As an artist he has exhibited around the world, from Nabi Museum (Seoul, Korea), Humlab (Umea, Sweden), and the Tate Modern (London, UK), to Culture Hub (New York City, USA) and the IT Inkubator (Regensburg, Germany). As a scientist his research ranges from Immunology and Pathology to Environmental Health and Chemistry. He helped found both XOX Labs and the Open Science Network, and has to date contributed to open scientific research in over twenty countries spanning from the American to Asian continents.
Tiare Ribeaux is a new media and interdisciplinary Hawaiian - American artist, filmmaker and curator based in the Bay Area. She is the Founder and Artistic Director of B4BEL4B gallery, co-founder of REFRESH Art, Science, and Technology; and heads the Art-Science program at Counter Culture Labs. As an interdisciplinary artist, her work explores the entanglements of human technologies, biology and infrastructures with mythologies, the environment, and microbial/non-human species. She is interested in living systems, deep/dark/media ecology, rhizomatic networks, speculative futures, multi-species ontologies, and collaborative entanglements.
Yasmin Jaidin is a Bruneian contemporary artist currenty teaching at Maktab Duli Sixth Form Centre. Her practice revolves around materiality by working with media that can be found in the everyday like sugar, flour, grass and soil. She experiments with its physical state and is concerned with its ecology when it is displaced from one environment to another. She holds degrees at Goldsmiths and the University of the Arts London, and has exhibited internationally at such venues as Laforet Museum in Tokyo, Off Modern in London, the Manila Metropolitan Museum, and the Kaohsiung Museum of Fine Arts. Her work exhibits a fidelity to the chosen material, combining minimalism and process into an object oriented practice.
生长
2019.03.21 – 06.30
新时线媒体艺术中心 (CAC)
上海市普陀区莫干山路50号18号楼
Growing
March 21 – June 30, 2019
Chronus Art Center (CAC)
BLDG.18, No.50 Moganshan RD., Shanghai
新时线媒体艺术中心(CAC)荣幸宣布联合中央美术学院艺术与科技中心、中央美术学院实验艺术学院、同济大学艺术与传媒学院 (上海)、华东师范大学 (上海) 合作开展主题为 “后人类转向:再遇控制论“ 的联合工作室项目。
新时线媒体艺术中心(CAC)成立于2013年,系国内首家致力于媒体艺术之展示、研究/创作及学术交流的非营利性艺术机构。通过展览、驻留、奖学金、讲座、工作坊及相关文献的梳理与出版,CAC为媒体艺术在全球语境中的论述、生产及传播开拓了一个多样化且富有活力的平台。CAC以批判地介入不断改变进而重塑当代经验的媒体技术来推动艺术创新及文化认知。
Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences.
www.chronusartcenter.org
更多展览以及艺术家信息请持续关注新时线媒体艺术中心微信公众号动态.
媒体垂询:jiamin.cao@chronusartcenter.org
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