虚拟与现实：表演艺术需要VR吗？

瑞士世界VR论坛创意总监 Salar Shahna

参加第十八届中国上海国际艺术节“艺术与科技论坛”

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论坛地点：

浦西洲际酒店水晶厅2+3，上海

论坛议程：

10月15日? 11:30am-1:30pm? 瑞士国际VR论坛VR装置艺术与影片展示

10月15日1:30-3:30pm? 主旨演讲

论坛主题：

虚拟与现实：表演艺术需要VR吗？

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随着近年来VR/AR技术发展与产业化的突飞猛进，虚拟现实技术将在三到五年内进入人们物质与精神生活的各个领域。如同以往每次技术革新浪潮，VR/AR技术必将对现有的表演艺术技术手段与艺术语汇带来影响。目前，VR技术在表演艺术中的成功运用仍是凤毛麟角。因此，了解不同文化背景下灵光闪现的创意呈现，倾听先行者们的探索心路与经验分享，并与他们直面交流，对于所有表演艺术从业者就更加难能可贵。相信通过此次论坛，来自不同国家与地区的表演艺术家、程序艺术家、技术研发团队、管理者、投资人，将能从“现实”出发，对“虚拟”中的未来多一份洞察与思考。

萨拉·沙赫纳 Salar Shahna

瑞士世界VR论坛创意总监

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萨拉·沙赫纳居住在瑞士日内瓦，是世界VR论坛创意总监和合伙创办人。他引领了论坛的艺术方向并得到艺术家和参与者的一致好评。2015年他从电影行业转至VR技术，在《猿猴实验室》的系列《测序》（参加2016年圣丹尼斯电影节）中担任制作顾问。2016年他创办了扎卡赖亚工作室，主要致力于创新VR项目。扎卡赖亚工作室的第一个工作是就是《弗兰肯斯坦》的收藏，由琼-丹尼尔施耐德导演，将于2017年第一季度上映。2014年萨拉负责了丽塔电影公司出品、克劳德·巴拉斯导演的电影《我的西葫芦的生活》（参加2016年戛纳电影节）中的跨媒体运用战略。从2011年至2014年他在丽塔电影公司担任电视、电影的制作人（《都怪卢梭》, 《肮脏的金子战争》），出品人（《龙德小姐》）和导演（《面包房》，《人类名族3D》）。萨拉在法国安纳西和巴西圣保罗获得了超媒体交流传媒的双硕士学位。

?发言大纲：

1.为何VR技术需要表演艺术？

2.VR技术怎样作为剧院演出的媒介？

3.为何运动捕捉对于互动性非常重要？

4.VR技术如何使观众参与到表演中？

上海（嘉定）互动戏剧节

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上海（嘉定）互动戏剧节立足嘉定，旨在携手国内外一流演艺团体、艺术科研平台与企事业单位，聚焦新兴的互动戏剧与表演艺术领域，用3-5年时间，打造一项国内领先、国际一流、具有规模效应，体现科技创新性、交互体验性和戏剧实验性的国际性互动戏剧交流节庆活动。

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本届上海(嘉定)互动戏剧节以“创新、互动、科技、人文”为核心概念，将设互动戏剧与表演艺术展演、公共文化与艺术教育活动、青年戏剧大赏、艺术科技论坛与研讨会、青年剧客原创孵化工作坊等丰富戏剧演出与活动。同时互动戏剧节将提升嘉定与上海建设具有全球影响力科技创新中心的形象与影响力，促进区域内的文化创意产业发展，催生新型文化消费，推动文化与科技、旅游、商业、金融的跨界融合。

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相关活动回顾：

今年6月，瑞士世界VR论坛在Coder Bunker组织“创·视纪” VR虚拟现实峰会社交派对。活动由瑞士文化基金会上海办公室、瑞士科技文化中心、CoderBunker支持举办。

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Salar Shahna, Creative Director of World VR Forum, Switzerland

at CSIAF Arts & Technology Forum and Demonstration

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Venue: Puxi Inter Continental Hotel, Shanghai

Time: VR and AR Demonstration, 11:30am-1:30pm, Oct.15

? ? ? ? ?Forum,1:30-3:30pm, Oct.15

Forum:

Virtuality and Reality: Do Performance Art need VR technology?

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With the radical development, both technically and commercially, in the domain of VR(Virtual Reality)/ AR (Augmented Reality), VR is expected to occupy multiple areas of our material and spiritual life within the next three to five years. Like every previous technological revolution, VR/AR will inevitably affect the techniques and language of performance arts. At the moment, the application of VR in performance arts is still marginal. Therefore, the opportunity to hear the exploration and experience of forerunners in the field, to directly communicate with them, and to appreciate the creativity of various cultural backgrounds, are even more precious for those in the performance arts. We are confident that, through this forum, performance artists, program artists, technological developers, managers and investors from different countries and regions will have a deeper insight into the future of ‘virtuality’.

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Salar Shahna

Creative Director of the World VR Forum, Switzerland

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Salar Shahna is based in Geneva, Switzerland. He is the Creative Director and Co-Founder of the World VR Forum. His vision shaped the artistic orientation of WVRF's festival which was acclaimed unanimously by artists and attendees. He moved from cinema to VR in2015, joining ape lab as Production Advisor on the series Sequenced (Sundance 2016), and founding the studio Zacharia with a focus on innovative VR projectsin 2016. The first projectof Zacharia is a VR collection about Frankenstein, the pilot experience is directed by Jean-Daniel Schneider and will be released in Q1 of 2017.?In2014, Salar was granted for the transmedia strategy on Claude Barras' film MaVie de Courgette (Cannes 2016) with Rita Productions, where he worked for TV and cinema from 2011 to 2014 asProduction Manager (Blame?it on Rousseau, Dirty Gold War), Producer (Miss Ronde) and Director (The Bakery, Human Race 3D). Salar holds a dual MS degree in Hypermedia/Communication from Annecy, France and Sao Paulo, Brazil.

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Outline：

1.Why VR needs performing arts?

2.How it is a theatrical medium?

3.How motion capture is important to make it interactive?

4.How with VR the viewer becomes a performer?

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Shanghai Interactive Festival of Theatre in Jiading (SHIFT)

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The Festival’s main aim is to promote artistic and technological innovation in the performing arts, and place Shanghai on the map, as a global force for scientific and technological innovation. The Jiading District Government and Shanghai Jiading District Administration of Culture Radio Film & TV (SJDA of CRFTV), team up with Shanghai Live Dream Culture Development Ltd. Co. to co-host the first Shanghai Interactive Festival of Theatre (SHIFT), which is a part of the 18th China Shanghai International Arts Festival (CSIAF).

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The SHIFT 2016 will take place between the October the 16th to the 30th, centered in the Jiading District with extensions in Shanghai. SHIFT focuses on four aspects: Innovation, interaction, technology and culture. The theme of the first edition is “Meet the future, meet TA (Robots)”, highlighting artificial intelligence and robots in performing arts.

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