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泰祥洲：《黄钟大吕》

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泰祥洲个展《宇·宙·观》空间图，北京墨斋

Installation shot of Tai Xiangzhou's solo exhibition Speculative Cosmologies, INK studio Beijing

南宋马远（约活跃于1190－1225年）著名的《水图》册页描绘了水从宁静到波涛汹涌的不同状态，《黄钟大吕》则将水的概念进一步延展。艺术家运用丰富多样的笔墨技法，将水表现为液体、云气、雾、冰、结冰的流星，甚至作为波、流、物态等抽象物质原理的媒介。画面中出现漩涡形与点状的效果则独具韵味，突显出艺术家对媒材的熟悉。从宇宙角度看待水，我们可知，波浪、潮汐和降雨都源自地球自转及地球、太阳和月亮的相互作用。

《黄钟大吕》Cosmic Symphonies，水墨绢本 ink on silk ，28.5cmx42cmx20，2016

Cosmic Symphonies continues and elaborates Ma Yuan’s (act. 1190-1225) celebrated album depicting different aspects of water, from tranquil to turbulent. Tai tackles water not only as an earthbound liquid but also as mist, steam, ice, icy meteors, an aquatic environment, and even instantiations of abstract principles of physics—wave, flow, states of matter, and gravity. He adopts a correspondingly expansive repertoire of brushwork and inkwork. The dark swirling pools and the tiny dot-like stains seen in some of the leaves are his innovations and reflect his intimate familiarity with his materials. A cosmic perspective on water reminds us that waves, tides, and rainfall are all caused by earth’s rotation and interactions with the sun and the moon.