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Flowerbed in the Cellar is the first solo exhibition in China by German artist Benjamin Appel. Inspired by the geometry of rectangular forms, a familiar structure in daily life, the shape itself does not appear in nature. The exhibition brings together oil paintings, site-specific installations and video work with an associated text by Appel developed during two PIFO residencies in Beijing, one in 2016 and 2017.
Den Tisch in die Ecke stellen 54, 2017
Oil on canvas
60 x 50 cm
Den Tisch in die Ecke stellen 62, 2017
Oil on canvas
100 x 80 cm
Den Tisch in die Ecke stellen 29 将桌子置于角落 29, 2016
Oil on canvas 布面油画
165 x 130 cm
Den Tisch in die Ecke stellen 61, 2017
Oil on canvas
160 x 130 cm
Flowerbed in the Attic, 2017
Woodboard, concrete, stool
470 x 370 x 15 cm; 40 x 40 x 57 cm
Born in Augsburg, Germany, Appel’s family moved to Ecuador when he was a small child. Fifteen years later he moved back to Germany to study and has since lived in Peru, Bolivia and Santiago de Chile. Appel embodies the notion of transculturalism – absorbing images and ideas from his environment and the diverse cultures in which he has lived. His current practice reflects on nature, space, negative space, materiality, urbanism and the mundane – yet fascinating – beauty of everyday objects. This exhibition demonstrates how the existing walls of the gallery, its spaces and sightlines, even the horizontals and verticals of the architecture, can all be woven together with contemporary materials, objects and painted canvases to form a coherent whole that is, in essence, one total work of art.
Flowerbed in the Cellar, 2017
Wood, drywall panels, metal objects
500 x 400 x 300 cm
Den Tisch in die Ecke stellen 15, 2015
Oil on canvas
60 x 50 cm
Fish in the Flowerbed, 2017
Single channel video with text | Colour
8’49”
Den Tisch in die Ecke stellen 31, 2016
Oil on canvas
90 x 70 cm
Den Tisch in die Ecke stellen 42, 2016
Oil on canvas
40 x 30 cm
M?bel und Schranken 114, 2015
Oil on canvas
50 x 40 cm
Den Tisch in die Ecke stellen 56, 2017
Oil on canvas
200 x 180 cm
The two new large-scale site-specific installations occupying much of the gallery space are titled Flowerbed in the Cellar and Flowerbed in the Attic. Created using simple materials, the geometric organization of the elements makes the space as a whole appear static, austere and unsettled but at the same time filled with energy and strangely poetic. The paintings, produced by the overlapping of more than 100 layers of rectangular blocks of vivid colour, are part of the series Putting the Table in the Corner that began in 2015. The artist text, distributed across the two floors of the gallery, is a tragicomic reflection on the tedious but nonetheless contented inner world of the animal in the video work Fish in the Flowerbed.
Den Tisch in die Ecke stellen 58, 2017
Oil on canvas
160 x 130 cm
Den Tisch in die Ecke stellen 25, 2016
Oil on canvas
50 x 40 cm
Den Tisch in die Ecke stellen 10, 2015
Oil on canvas
50 x 40 cm
Den Tisch in die Ecke stellen 63, 2017
Oil on canvas
130 x 110 cm
Located somewhere between constructivist utopias, minimalistic gestures and the here and now, Benjamin Appel creates a fragile but also sensual, in part even frightening, model of space. Using newly constructed objects of concrete, plaster and metal, alongside 14 geometric, abstract paintings, text and video works, Appel balances the abstract meaning of space as concept, location and material.
Den Tisch in die Ecke stellen 66, 2017
Oil on canvas
100 x 80 cm
Den Tisch in die Ecke stellen 55, 2017
Oil on canvas
200 x 180 cm
Den Tisch in die Ecke stellen 53, 2017
Oil on canvas
150 x 130 cm
Den Tisch in die Ecke stellen 64, 2017
Oil on canvas
130 x 110 cm
Den Tisch in die Ecke stellen 59, 2017
Oil on canvas
130 x 110 cm
All images copyright the photographer | Lv Wenzhi
Press enquiries/images
Frankie Lu luhan@pifo.cn
T: +86 10 59789562-8005
All other enquiries
Dayu Yang dayu@pifo.cn
M: +86 13810040162
PIFO Gallery
B-11, 798 Art Zone, No.2 Jiuxianqiao Rd, Chaoyang District, Beijing
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